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The Good Arts Arcade: Creative retail & maker spaces for lease

On the rare occasions a space opens up at ’57 Biscayne, it is filled immediately, and we are always forced to turn away potentially awesome creative neighbors. Such is the demand for the diminishing supply of artists’ work space in Seattle (and most major U.S. cities). When Good Arts LLC formed to buy our building in 2015, it did so with the express purpose of creating new art space wherever and whenever it could. One space was built out of the second floor lobby in 2016, and now four additional spaces are being created in the downstairs storefront at 108 Cherry, which has been largely vacant (and playing host to pop-up art and music events) the past two years.

The Good Arts Arcade will consist of two retail spaces and two artists’ studios which share a street entrance and open onto a shared central gallery.

The Arcade will provide affordable space for the making, exhibiting, and selling of a range of creative goods, and foster a supportive community for the makers and sellers.

Flanked by the new Cherry Street Coffee House to the west, and the entrance to ’57 Biscayne Artist Studios to the east, Good Arts Arcade is perfectly situated for creative collaboration, fabulous combined events, and synergistic marketing opportunities. The location is well situated for foot traffic from the nearby light rail station, ferries, Pioneer Square park, and a planned streetcar stop at First and Cherry. A parklet will be installed on the street in front of the entrance, providing additional outdoor community space and a potential pop-up show venue.

We are seeking creative community builders–artists, gallerists, and human-scale retailers–to work, grow, and collaborate in the Arcade. Floorplan and prices here: GoodArtsArcade

Neon Dreamer: Interactive Pac-man Pop-up Installation all the way from Prague!

’57 Biscayne and the Good Arts Building welcome Czech artist Edita Pattova, presenting Neon Dreamer, an interactive painting and video installation, on the first stop of its West Coast tour. Neon Dreamer will be up for one night only, Thursday, August 3, from 5-9 PM in the under-construction Good Arts Arcade at 108 Cherry Street.

Inspired by the neon lights of Times Square on a visit to New York, Edita created a grid of nine oil paintings depicting an imaginary American city. On it, she projects an original video game, inspired by Pac-man, which visitors can play singly or competitively, becoming the dreamers chasing their dreams, beer, money, and each other through the neon-lit painted city streets, while dodging the authorities and other hazards.

Placiness featured on KPLU-FM

KPLU’s Monica Spain interviewed Jane Richlovsky and guest artist Gabriel Campanario about ’57 Biscayne’s current exhibit Placiness, the ’57 Biscayne-Good Arts story, whence the title, Seattle as muse, and more. Read or listen to “Art Exhibit Evokes a sense of Placiness” here.

 

Placiness in progress…

Savina Mason installs her magical purple site-specific piece in the former corporate Zen garden, while Jane Richlovsky hangs new lights. Placiness will debut in our unrecognizably-transformed lobby gallery on First Thursday, have extended hours through Art Fair weekend, and run through August 28. Twenty superb Seattle artists represent, reflect, and redefine their city.

Photo by Dara Solliday

PLACINESS

’57 Biscayne presents PLACINESS, August 4-7 at ’57 Biscayne in the Good Arts Building

Open First Thursday, August 4, from 5-8 PM and 12-7 Friday, Saturday; 12-5 Sunday

Artists’ Reception Saturday, August 6 (time TBA)

’57 Biscayne was born out of the much-ballyhooed demise of 619 Western, and in the years since we’ve become a kind of charismatic megafauna in the exploding urban environment of the boom-and-bust city we call home. The image of artists losing their place in the city often functions as a symbol of a larger sense of loss: While the decline of affordable studio space is measurable and undeniable, people also tend to remember places they love as having been in the past more interesting, animated, authentic–placier–than they are in the present. Whether that is actually the case or just the foggy goggles of nostalgia is debatable.

What is often lost in the discussion is what it means to the art. ’57 Biscayne, and other urban studio spaces, are not mere symbols to the artists who work there, but a base from which we observe, interact with, and respond to the city. PLACINESS gathers the visual evidence of what it actually means–from the artists’ points of view–to stay in our neighborhood and in our city: to live and move about and to look at things and people. The show encompasses representational paintings and photographs that directly reference Seattle physically or spiritually or historically; constructions that incorporate materials or found objects endemic to here; and work in a variety of media that is visually inspired by the streets, buildings, history, landscape, and humanscape of Seattle.

PLACINESS will coincide with the Seattle Art Fair, which is presenting sound art by Brendan Fowler downstairs at 108 Cherry.  In keeping with its mission, the Good Arts Building is hosting Art Fair as an Event Partner, as well as providing storefront space to La Sala, presenting La Cocina, a multimedia extravaganza at 702 First Avenue; and the Center on Contemporary Art at 106 Cherry.

Image: Dara Solliday, View from Jane Richlovsky and Drake Deknatel’s Studio at 619 Western I