At first glance, Peggy Foy’s studio is your typical maker space. You see a display case in the front window and rows of shelving tucked into the rafters above. We reflect on how the building’s history has come full circle. Billboards in old photographs once boasted silversmiths working within this very space in decades past. Foy finds solace in continuing their legacy.
Relocating from Atlanta to Seattle, Foy was in search of new horizons. Knowing there was a thriving metals community, especially in the Pioneer Square arts district, Foy explains “It’s really kind of a dream I ended up in this building. This is what I moved to Seattle to do.” She’s been in the space since its inception in 2011.
“The great thing about Seattle is that there’s art everywhere; whether it’s public art and sculpture, or just passing by storefront windows.”
Peggy enjoys the small pleasures of huge windows and high ceilings in her space. Being in the middle of a neighborhood with vibrant urban life adds to her experience as an artist in the ‘57 Biscayne. She enthuses about her great neighbors and the team spirit among the artists, cheering each other on. With the addition of new jewelers in the building, Peggy looks forward to opportunities of collaboration and bringing more community spirit into the space. Her favorite part about being in the ‘57 Biscayne space is its frequent art walks. Usually involving live music, she notes how the expansion of the third floor has created an element of critical mass; making more space and art for guests to explore.
Metals truly are Foy’s life work. For years she was active in the Seattle Metals Guild, serving as its president for a stretch. In addition to this, she teaches, saying ““I’m a big advocate of the arts, everyone should be doing their thing. That’s why I teach.” She took the most recent opportunity of being laid off from her day job to immerse herself in another attempt at full time artistry.
Peggy explains, “It’s been a rocky road, but I don’t know anyone who’s had it easy. I think that’s part of being an artist.”
Foy’s designs are influenced by the art of pre-Christian Europe, the medieval, and the occult. She gushes, “I love it when people wear my jewelry all the time, that’s the best thing.” Aesthetics aside, she designs with balance, making pieces which lack sharp edges and are meticulously crafted to last. “My work is about having meaning. Wearing jewelry is having something like a talisman. The embedded symbolism is an ancient approach to the way we make jewelry.” Adornment is deep in our psyches, such as the way you present yourself to the world. This is where Peggy draws inspiration for her work.